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JUSTIN F SKREBOWSKI

Mobile: 07774 612474        From Abroad +44 7774 612474

Email: justin@skreb.co.uk

"The Print Stand", Antique Arcade, 113 Portobello Road London, W11 2BQ, UK.

Telephone: Saturday only 020 7792 9742  From abroad: +44 20 7792 9742  

LONDON TOPOGRAPHY

 Items of stock will be added throughout 2011

Items starred *** have been added most recently

 

 

Anon ***

Somerset House in its original state.

Published 11th October 1809 by W. Herbert and R. Wilkinson, No. 58 Cornhill, London

19th century engraving.

Sheet size: 412 x 289 mm

Trimmed within the plate mark. A repaired tear within the image.

Price: £45

This view exhibits SOMERSET HOUSE, previous to the alterations made by Inigo Jones, to fit it for the use of Queen Henrietta Maria, wife of Charles 1st. Adjoining it is the SAVOY, and immediately behind it, the only view extant of EXETER HOUSE. Further on is WORCESTER HOUSE and Stairs, and SUFFOLK HOUSE. The building in the distance are WHITEHALL and WESTMINSTER ABBEY; opposite to which are LAMBERT CHURCH and PALACE.  

 

R. Godfrey after T. Sandby ***

Whitehall. Engrav’d from an original Drawing. July 1, 1775

19th century (?) impression of an 18th century engraving.

Plate size: 230 x 183 mm

Weak impression. Some surface abrasion.

Price: £18

A detailed rendering of Whitehall in the 18th century by the Royal Academician, Thomas Sandby.

 

(Various images as seen below) Thomas Rowlandson and Augustus Pugin

The Microcosm of London

London, R. Ackermann 1808-10

Aquatints

Original hand-colouring

230x280mm

 

The Microcosm of London

The publisher and drawing master Rudolf Ackermann (1764-1834), had come to London from Germany in his early twenties. A philanthropist and businessman, the money he raised to help Leipzig after its devastation by Napoleon in 1813 made him a public figure in both England and Germany. The Microcosm of London, which combined the comic genius (although kept on a tight leash by Ackermann) of Thomas Rowlandson who executed the figures and the precise architectural draughtsmanship of Augustus Pugin, was intended to provide an intimate look at the the major buildings and landmarks of Georgian London.

 

J. Bluck after Pugin & Rowlandson ***

Christie’s Auction Room

Published Feb. 1st 1808 at R. Ackermann’s Repository of Arts, 101 Strand, London

Aquatint with original hand-colouring, printed on rolled paper.

Sheet: 326 x 266 mm

Some mild time staining. Otherwise, in good condition.

Price: £90

A buzzing scene in the famous Christies Auction room, in which a sale is taking place. This image is a continuation of the famous series by Rowlandson and Pugin.

 

Thomas Rowlandson and Augustus Pugin

Kings Bench Prison

 

£80

Kings Bench Prison

A view of Kings Bench Prison in Southwark, south London. It served as a prison from medieval times up until 1880 when it was closed down. It took its name from the Kings Bench court of law, which dealt in cases of defamation and bankruptcy among others. However, its name changed to the Queens Prison in 1842 and later on became the Southwark convict Prison. It also served as a debtors prison in the mid 19th century until the practise was abolished in the 1860s. One of the prison's most famous inmates, was the writer John Wilkes, who was imprisoned for writing the famous article 'The North Briton' that criticized George III. His incarceration prompted a riot - better known as the Massacre of St George's Field.

 

Anon (artist's signature illegible)

Vuë du Canal, du Batiment Chinois, de la Rotonde, et des Jardins de Ranelagh un jour de rejouissance.

Paris chez Mesard rue Greneta, a la renommée de la Cornemuse (Paris c.1790)

Copper engraving with period hand colouring

Laid down on backing card

268 x 414mm

£120

A View of the Canal, Chinese Building, Rotunde in Ranelagh Gardens, with Masquarade &c.

A naively executed view of the floating chinese pavillion, with the Rotunda in the background, in Ranelagh Pleasure Gardens, Chelsea, west London, enlivened with fashionable patrons in exotic fancy dress. Ranelagh Pleasure Gardens were laid out in 1742. The Rotunda, built by William Jones, a surveyor for the East India Company, was 150 feet in diameter and heated by an enormous four sided fireplace in the centre which also formed part of the support for the roof. Around the walls were booths for eating and drinking, and an orchestra in which Mozart once played. The extensive gardens were laid out in a series of walks and groves, dimly lit at night with chinese lanterns, providing ideal trysting places for lovers. By the beginning of the nineteenth century the gardens had become a resort for less fashionable sections of society and the haunt of thieves and pickpockets. In 1803 the Rotunda was demolished and the gardens finally closed two years later. The site is now part of Chelsea Hospital gardens.

 

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