LONDON TOPOGRAPHY
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Anon
***
Somerset House in
its original state.
Published 11th
October 1809 by W. Herbert and R. Wilkinson, No. 58 Cornhill, London
19th
century engraving.
Sheet size: 412 x 289
mm
Trimmed within the
plate mark. A repaired tear within the image.
Price: £45 |
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This view exhibits
SOMERSET HOUSE, previous to the alterations made by Inigo Jones, to fit it for
the use of Queen Henrietta Maria, wife of Charles 1st. Adjoining it
is the SAVOY, and immediately behind it, the only view extant of EXETER HOUSE.
Further on is WORCESTER HOUSE and Stairs, and SUFFOLK HOUSE. The building in the
distance are WHITEHALL and WESTMINSTER ABBEY; opposite to which are LAMBERT
CHURCH and PALACE. |
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R. Godfrey
after T. Sandby ***
Whitehall.
Engrav’d from an original Drawing. July 1, 1775
19th
century (?) impression of an 18th century engraving.
Plate size: 230 x 183
mm
Weak impression. Some
surface abrasion.
Price: £18 |
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A detailed rendering
of Whitehall in the 18th century by the Royal Academician, Thomas
Sandby. |
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(Various images as seen below) |
Thomas Rowlandson and Augustus Pugin
The Microcosm of London
London, R. Ackermann 1808-10
Aquatints
Original hand-colouring
230x280mm
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The Microcosm of London
The publisher and drawing master Rudolf Ackermann (1764-1834), had come to London from Germany in his early twenties. A philanthropist and businessman, the money he raised to help Leipzig after its devastation by Napoleon in 1813 made him a public figure in both England and Germany. The Microcosm of London, which combined the comic genius (although kept on a tight leash by Ackermann) of Thomas Rowlandson who executed the figures and the precise architectural draughtsmanship of Augustus Pugin, was intended to provide an intimate look at the the major buildings and landmarks of Georgian London.
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J. Bluck
after Pugin & Rowlandson ***
Christie’s Auction
Room
Published Feb. 1st
1808 at R. Ackermann’s Repository of Arts, 101 Strand, London
Aquatint with
original hand-colouring, printed on rolled paper.
Sheet: 326 x 266 mm
Some mild time
staining. Otherwise, in good condition.
Price: £90 |
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A buzzing scene in
the famous Christies Auction room, in which a sale is taking place. This image
is a continuation of the famous series by Rowlandson and Pugin.
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Thomas Rowlandson and Augustus
Pugin
Kings Bench Prison
£80 |
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Kings Bench Prison A view of
Kings Bench Prison in Southwark, south London. It served as a prison from
medieval times up until 1880 when it was closed down. It took its name from the
Kings Bench court of law, which dealt in cases of defamation and bankruptcy
among others. However, its name changed to the Queens Prison in 1842 and later
on became the Southwark convict Prison. It also served as a debtors prison in
the mid 19th century until the practise was abolished in the 1860s. One of the
prison's most famous inmates, was the writer John Wilkes, who was imprisoned for
writing the famous article 'The North Briton' that criticized George III. His
incarceration prompted a riot - better known as the Massacre of St George's
Field. |
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Anon (artist's signature illegible)
Vuë du Canal, du Batiment Chinois, de la Rotonde, et
des Jardins de Ranelagh un jour de rejouissance.
Paris chez Mesard rue Greneta, a la renommée de la
Cornemuse (Paris c.1790)
Copper engraving with period
hand colouring
Laid down on backing card
268 x 414mm
£120
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A View of the Canal, Chinese Building, Rotunde in Ranelagh Gardens, with Masquarade &c.
A naively executed view of the floating chinese pavillion, with the Rotunda in the background, in Ranelagh Pleasure Gardens,
Chelsea, west London, enlivened with fashionable patrons in exotic fancy dress. Ranelagh Pleasure Gardens were laid out in 1742.
The Rotunda, built by William Jones, a surveyor for the East India Company, was 150 feet in diameter and heated by an enormous
four sided fireplace in the centre which also formed part of the support for the roof. Around the walls were booths for eating
and drinking, and an orchestra in which Mozart once played. The extensive gardens were laid out in a series of walks and groves,
dimly lit at night with chinese lanterns, providing ideal trysting places for lovers. By the beginning of the nineteenth century
the gardens had become a resort for less fashionable sections of society and the haunt of thieves and pickpockets. In 1803 the
Rotunda was demolished and the gardens finally closed two years later. The site is now part of Chelsea Hospital gardens.
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